05/07/2025 – C. J. Allen: “Ethnographic Perspectives on Inca Stone Masonry”
Dear members, we are pleased to announce that the next conference of the Society will be held on Wednesday, May 7, 2025, from 4:30 to 6:30 p.m. in Salle de Cours 2 at the Musée du Quai Branly.
Catherine J. Allen (Professor Emeritus, Department of Anthropology, George Washington University) will present: Every Stone Is Unique. Ethnographic Perspectives on Inca Stone Masonry
“The wall was stationary, but its lines were seething and its surface changeable, as that of flooding summer rivers” (J. M. Arguedas, Los Ríos Profundos).
Inca stone masonry has long been a cause of wonder and curiosity. Rather than carving out identical blocks of stone and joining them with mortar, Inca masons treated each stone individually, Thus, every stone in a great wall like Hatun Rumiyuq in Cuzco is unique. Each one was lightly finished and then fitted with the others, seamlessly and without mortar, The irregularity of the stones and absence of mortar make the walls resilient in earthquakes, for the stones can move around during the tremor and settle back against each other when the crisis has passed. Moreover, some Inca walls, like those at Sacsahuaman and Ollantaytambo, are composed of truly gigantic monoliths that had to be transported considerable distances from their quarry sites. Research has cast light on how these feats were achieved, yet what was the point of all that time-consuming effort? Grandiose expressions of imperial dominance? Art for art’s sake? Perhaps. But before leaping to conclusions, we need to understand Inca masonry in terms of what Carolyn Dean has termed a “culture of stone.” What ontological assumptions informed the Inca masons’ relationships with their stone medium? I suggest that ethnographic research into contemporary Andean understandings of stone may shed some light on this question.
The conference will be held in english
Please present yourself directly at the museum entrance (37 quai Branly), without going through the cash desks. The Vigipirate plan requires museum security staff not to allow suitcases (even cabin bags), travel bags, backpacks, sports bags, etc. to be brought into the museum.